Virtual artists are digitally created performers—vocal and visual identities brought to life through AI-generated singing, character design, and conceptual storytelling. Unlike traditional collaborators, they are entirely conceived and directed by the artist. In David Ezra Okonsar’s work, these figures are not mere tools or effects, but fully developed artistic presences, each capable of delivering emotionally rich performances shaped by poetic language, sonic experimentation, and theatrical imagination.

Okonsar refers to them as his Alter Egos because they embody distinct facets of his creative identity. Through AINA, he explores intimacy, dreamlike resonance, and lyrical subtlety—often rooted in symbolist poetry or ethereal acoustic-electronic textures. SUKX, by contrast, channels a rebellious, fragmented aesthetic—drawing from K-Pop, experimental electronica, and lo-fi grit. These alter egos enable the artist to inhabit multiple expressive worlds simultaneously, expanding the boundaries of style, tone, and persona beyond what a single voice could convey.

In the evolving landscape of contemporary music, these virtual artists redefine authorship and performance. They allow Okonsar to merge composition, interpretation, and digital embodiment into a unified yet pluralistic voice. For the artist, they are not substitutes for human expression but a radical extension of it—an ensemble of inner voices that deepen and diversify his artistic output.

{see published albums below..}

Les artistes virtuels sont des interprètes créés numériquement — des identités vocales et visuelles rendues possibles par le chant généré par intelligence artificielle, le design de personnages et une narration conceptuelle. Contrairement aux collaborateurs traditionnels, ils sont entièrement conçus et dirigés par l’artiste. Dans l’œuvre de David Ezra Okonsar, ces figures ne sont pas de simples outils ou effets, mais de véritables présences artistiques, capables d’exprimer avec sensibilité des univers façonnés par la poésie, l’expérimentation sonore et une théâtralité assumée.

Okonsar les qualifie d’alter egos car chacun incarne une facette différente de son identité créative. À travers AINA, il explore l’intimité, la résonance onirique et la subtilité lyrique — souvent inspirées par la poésie symboliste ou des textures mêlant acoustique et électronique. SUKX, à l’inverse, exprime une esthétique fragmentée et rebelle, tirant son énergie du K-pop, de l’électronique expérimentale et de la rudesse lo-fi. Ces alter egos permettent à l’artiste d’habiter plusieurs mondes expressifs en parallèle, élargissant les frontières du style et du ton au-delà de ce qu’une seule voix pourrait contenir.

Dans le paysage musical contemporain, ces artistes virtuels redéfinissent les notions d’auteur et d’interprète. Ils offrent à Okonsar la possibilité de fusionner composition, incarnation et technologie dans une voix à la fois unifiée et multiple. Pour l’artiste, ils ne remplacent pas l’expression humaine, mais en sont une extension radicale — une polyphonie intérieure qui enrichit et diversifie son œuvre.

{les albums publiés ci-dessous}

Sanal sanatçılar, yapay zekâ tarafından üretilen şarkı söyleme teknolojileri, dijital karakter tasarımı ve kavramsal anlatım yoluyla yaratılmış vokal ve görsel kimliklerdir. Geleneksel işbirlikçilerden farklı olarak, bu figürler tamamen sanatçının hayal gücüyle oluşturulmuş ve onun yönlendirmesiyle şekillenmiştir. David Ezra Okonsar’ın eserlerinde bu sanal varlıklar sadece araç ya da efekt değil; şiirsel dil, deneysel ses yapıları ve teatral yaklaşım ile derinlemesine işlenmiş özgün sanatsal varlıklardır.

Okonsar bu karakterleri alter ego yani “diğer benlik” olarak tanımlar, çünkü her biri onun yaratıcı kimliğinin farklı bir yönünü temsil eder. AINA aracılığıyla sanatçı, sembolist şiirlerden ilham alan, rüya gibi bir atmosferde akan, lirik ve içe dönük bir dünya keşfeder. Buna karşılık SUKX, K-Pop, deneysel elektronik ve lo-fi estetiğinden beslenen asi, parçalı ve sert bir sesi yansıtır. Bu alter egolar, sanatçının aynı anda birden fazla anlatım biçimini barındırmasına olanak tanır ve tek bir sesin sınırlarını aşarak çok katmanlı bir ifade alanı yaratır.

Günümüz müzik dünyasında bu sanal sanatçılar, besteci ve yorumcu kavramlarını yeniden tanımlar. Okonsar için bu karakterler, insan ifadesinin yerini alan değil; onu yeni biçimlerle genişleten, içsel bir çoğullukla zenginleştiren sanatsal yansımalardır. Besteci, yorumcu ve dijital bedenin birleştiği bu yapı, onun üretimini hem derinleştirir hem de farklı seslerde yankılanmasına imkân tanır.

{aşağıda yayınlanmış albümleri bulabilirsiniz}

SUKX – The Pulse of Digital Rebellion

SUKX is the rawest and most volatile of David Ezra Okonsar’s virtual alter egos — a persona forged in digital noise, lo-fi beats, and emotional dissonance. He doesn’t sing to soothe; he sings to disrupt, to expose the fracture lines beneath polished surfaces. His voice cuts through the mix with a grainy, distorted edge — confident, wounded, confrontational. SUKX embodies the tension between hyperreality and alienation, between the desire to connect and the impossibility of being truly known in a synthetic world.

Musically, SUKX lives in the overlap of experimental K-pop, underground electronica, and post-human groove. His tracks are built on broken rhythms, glitched-out synths, and sudden drops — yet always anchored by an urgent melodic core. There’s a deliberate asymmetry in his sound: rhythms hesitate, voices fragment, harmony collapses into texture. But beneath the chaos is clarity — a precise emotional code crafted by Okonsar to mirror the turbulence of identity in the digital age.

SUKX isn’t just a virtual performer — he’s a mirror with cracks, reflecting the beautiful damage of the now. For listeners drawn to contrast, conflict, and catharsis, SUKX offers a place where vulnerability wears a mask and still bleeds through. His music doesn’t ask for approval — it demands presence.