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Why Compose Each Part
Up:
Micropolyphony Motivations and Justifications
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Precursory Attempts
Contents
Organization and Composition of the Sound Material
Subsections
Why Compose Each Part Individually?
Performance Issues
Xenakis' Sound Clouds and Ligeti's Micropolyphony Compared
Stochastic Methods
Ligeti's Method
Microstructures
Intervals
Resultant Clusters and Chords
Rhythmical Aspects
Rhythmic Resultants
Timbre and Spectrum
Mehmet Okonsar 2011-03-14