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Micropolyphony Motivations and Justifications
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Micropolyphony Motivations and Justifications
Contents
List of Figures
Polyphony
Polyphony and Perception
Two-Voice Polyphonies
More Voices
Chopin's Atonal Movement
How Fast Can We Play and Hear?
The Electronic Music Studio of the W.D.R.
``Fake'' Polyphony
Closing Thoughts on Ligeti's Experiences in the Electronic Music Studio
Influences of the Electronic Music Procedures on Ligeti's Instrumental Works
Micropolyphony: ``Microscopic'' Polyphony
Resultant Texture
Precursory Attempts
Organization and Composition of the Sound Material
Why Compose Each Part Individually?
Performance Issues
Xenakis' Sound Clouds and Ligeti's Micropolyphony Compared
Stochastic Methods
Ligeti's Method
Microstructures
Intervals
Resultant Clusters and Chords
Rhythmical Aspects
Timbre and Spectrum
Conclusions
Appendices
Granular Synthesis
Physical Modelling Synthesis
Csound
Stochastic
References
Mehmet Okonsar 2011-03-14